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message in the movies
By Rev. Bruce Batchelor Glader
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Hairspray Rated
PG
Directed
by Adam Shankman. Starring Nikki Blonsky, John Travolta

Photos © New Line
Cinema
Hairspray is a musical about the early 1960s that is more about the
movies and musicals of the sixties than the decade itself. From an
opening overhead shot that recollects the beginning of West Side Story
(except in place of New York City, we zoom in on Baltimore, Maryland) we
move into a film that evokes Bye Bye Birdie and Elvis Presley. Tracie
Turnblad (Blonsky) is a peppy and positive teenager who sings “Good
Morning, Baltimore!” to everyone in town, including garbage men and
rats. Nothing can keep Tracie down. She and her friend Penny (Amanda
Bynes) look forward each afternoon when high school is over and they can
rush home to watch “The Corny Collins Show”, Baltimore’s answer to
Philadelphia’s “American Bandstand”. The show’s teenage dancers include
kids from town, and plus-sized Tracie seems like someone who might never
get a chance to be on the show. But never underestimate a teenager
whose parents encourage her to go for her dreams. When Tracie learns a
few dance moves from the African-American kids in detention hall, she
not only has something new to bring to the airwaves, but she will stop
at nothing less than full integration of the program, which up to this
point has been an all-white show, with the exception of a monthly Negro
Day. On paper, the plot sounds heavy-handed, but the film itself is a
light and frothy confection of good cheer with a cast that is having the
time of their lives with a tuneful Marc Shaiman score. Since the
original 1988 John Waters’ film, the part of Edna Turnblad, Tracie’s
mother, has been played by a man in drag. For this film, John Travolta
is Edna, but he chooses to play her as a woman, rather than a
poorly-disguised man. With Christopher Walken as Wilbur, Tracie’s dad,
the two make quite a delightful and loving couple. I started smiling
the minute the first song started and kept smiling for the next two
hours. This is a wonderful film and a great time at the movies. I have
two mild critiques, however. There are some cheap shots at Penny’s
mother’s Christian faith, but nothing particularly mean-spirited. There
are some obvious sex jokes in the script, but no character actually
commits sexual sin, which more than makes up for the mild rudeness.
This is truly a film that families can see together and enjoy on
different levels. Hairspray’s message of acceptance and love is an
obvious one, but one of the best messages of all. Don’t wait for the
DVD; enjoy this one on the big screen with a theater-full of people of
all ages. This is the best film of the summer, so far
Pitchfork Rating:
Four halos.
(A positive and
joy-filled sixties musical, with a message of toleration and
understanding.) One
pitchfork. (Some mild sexual innuendos, which younger
children will miss, and some mild suggestive dance moves and scenes of
youth smoking cigarettes; there’s also some cheap shots at religious
fundamentalism.)
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