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message in the movies
By Rev. Bruce Batchelor Glader
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Knocked Up
Rated R
Directed
by Judd Apatow. Starring Seth Rogen, Katherine Heigl

Photos © Universal Pictures
Since the success of 1999’s American Pie, every summer seems to begin
with one or two raunchy sex comedies. The only thing that has changed
since then is the age of the characters. We now have films that depict
adults in their 20s and 30s caught in arrested development, usually
working at slacker jobs, and spending their spare time playing video
games and smoking weed. Knocked Up creates a scenario in which
bong-loving Ben (Rogen) hooks up at a bar with Alison (Heigl), a young
professional woman out to celebrate a recent promotion. They fall into
bed and have semi-conscious sex, only to separate immediately thereafter
as Alison feels disgusted and Ben amazed at his good fortune. Weeks
later, Alison calls Ben to tell him she’s pregnant. Much to his
surprise, Ben finds himself in the position of trying to do the right
thing, but even the prospect of marriage is scary when he sees the
mixture of suburban success and bitter fighting that’s a part of
Alison’s sister and brother-in-law’s daily life. Knocked Up shows us
two people trying to work together to create a meaningful future, and
not sure about whether or not that will involve an interpersonal
relationship. There are many laughs, with a first-rate cast playing at
the top of their game. So far, so good. Nevertheless, I had more than a
few problems with this movie. The constant profanity and crude banter
(which was also a part of Apatow’s 2005 hit, The 40 Year Old Virgin),
while expected in R-rated comedies, is beginning to grate on my nerves.
The many pop culture references to current music and television shows
will make this film one for the time capsule. And, speaking of
television, this film’s rhythm is just as sloppy and herky-jerky as most
hour-long sitcoms, and there are many scenes in this 129 minute film
that use too much screen time with minimal payoff. Knocked Up is
probably undone by its ambition, which is a compliment to a summer sex
comedy. It’s smart and funny, crude and wise, reckless and thoughtful.
But it’s no classic. I await the day when a contemporary filmmaker
tells a story about a boy and a girl who meet, fall in love, and don’t
have sex. Now, that would be something.
Pitchfork Rating:
Three
halos.
(Some sobering and thoughtful ruminations on moral responsibility and
marriage are a part of this anything-for-a-laugh comedy.)
Three
pitchforks. (Constant profanity, occasional crudity and
sex-related humor; recreational drug and alcohol excess.)
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